1830-1896 He was an English painter and sculptor. His works depicted historical, biblical and classical subject matter. Leighton was born in Scarborough to a family in the import and export business. He was educated at University College School, London. He then received his artistic training on the European continent, first from Eduard Von Steinle and then from Giovanni Costa. When in Florence, aged 24, where he studied at the Accademia di Belle Arti, he painted the procession of the Cimabue Madonna through the Borgo Allegri. He lived in Paris from 1855 to 1859, where he met Ingres, Delacroix, Corot and Millet. Flaming JuneIn 1860, he moved to London, where he associated with the Pre-Raphaelites. He designed Elizabeth Barrett Browning's tomb for Robert Browning in the English Cemetery, Florence in 1861. In 1864 he became an associate of the Royal Academy and in 1878 he became its President (1878?C96). His 1877 sculpture, Athlete Wrestling with a Python, was considered at its time to inaugurate a renaissance in contemporary British sculpture, referred to as the New Sculpture. His paintings represented Britain at the great 1900 Paris Exhibition. Icarus and DaedalusLeighton was knighted at Windsor in 1878, and was created a baronet eight years later. He was the first painter to be given a peerage, in the New Year Honours List of 1896.  Related Paintings of Frederick Leighton :. | Odalisque | Reverie | Pavonia | Memories | Clytie |
Related Artists:
Walter Sickert
German 1860-1942 Walter Sickert Gallery Walter Richard Sickert (May 31, 1860 in Munich, Germany ?C January 22, 1942 in Bath, England) was a German-born English Impressionist painter. Sickert was a cosmopolitan and eccentric who favoured ordinary people and urban scenes as his subjects He developed a personal version of Impressionism, favouring sombre colouration. Following Degas' advice, Sickert painted in the studio, working from drawings and memory as an escape from "the tyranny of nature".[3] Sickert's earliest major works were portrayals of scenes in London music halls, often depicted from complex and ambiguous points of view, so that the spatial relationship between the audience, performer and orchestra becomes confused, as figures gesture into space and others are reflected in mirrors. The isolated rhetorical gestures of singers and actors seem to reach out to no-one in particular, and audience members are portrayed stretching and peering to see things that lie beyond the visible space. This theme of confused or failed communication between people appears frequently in his art. By emphasising the patterns of wallpaper and architectural decorations, Sickert created abstract decorative arabesques and flattened the three-dimensional space. His music hall pictures, like Degas' paintings of dancers and caf??-concert entertainers, connect the artificiality of art itself to the conventions of theatrical performance and painted backdrops. Many of these works were exhibited at the New English Art Club, a group of French-influenced realist artists with which Sickert was associated. At this period Sickert spent much of his time in France, especially in Dieppe where his mistress, and possibly his illegitimate son, lived
Thomas Nast
September 27, 1840 ?C December 7, 1902,Illustrator Thomas Nast was the first American celebrity cartoonist, famous for helping to turn out New York corrupt politicians and for creating peristent iconographic images of Santa Claus. Nast, from a family of German immigrants, began working in New York City as a cartoonist at the age of 15. He had a long association with Harper Weekly (1861-86), during which his battlefield illustrations and skilled caricatures made him famous in the U.S. and abroad (Van Gogh was a collector). Nast was an opinionated, progressive Republican, and his illustrated attacks on the leader of New York Democrats, William Boss Tweed, are said to have helped bring down an era of government corruption. One of the most influential caricaturists of his time, he is credited with creating the image of Santa as a chubby fellow in a red suit. Nast also came up with the image of an ass to represent Democrats (around 1870) and an elephant to represent Republicans (1874). His popularity waned in the 1880s, and he parted ways with Harper Weekly over political and artistic differences. Failing to succeed with his own publication or as a painter, he managed to be appointed by President Teddy Roosevelt in 1902 to a diplomatic position in Ecuador, where he contracted yellow fever and died. Now officially embraced icons, the animal symbols of the two political parties were meant by Nast to be unflattering.
charles de brosses
(1709-77). President of the Parlement de Dijon, friend of the philosophes, and in Diderot's words ??une petite t??te gaie, ironique et satiriquee. His learned publications include important work on the origins of language (Traite de la formation m??canique des langues, 1765) and on primitive religion (Du culte des dieux fetiches, 1760). His Lettres familieres crites d Italie en 1739 et 1740, published posthumously in 1799 and much loved by Stendhal, offer a model of personal travel writing, in which detailed accounts of art works and monuments, not always complimentary, or a careful description of Vesuvius, addressed to Buffon, are interspersed with sprightly, enthusiastic accounts of the peculiarities and the aesthetic and sensual pleasures of life in Italy.